Mary Love Hodges's lovely article in the Brooklyn Rail gives a shout out to The Raw and the Cooked series, as well as Tank dance programming in general. She writes:
"In a crowded landscape where young people struggle to be seen, the empowering presence of The Tank is an alternative to burnout. Further, while these young curators had all invited friends and colleagues whose work they felt deserved more attention, they were at least as excited to discover unfamiliar artists, often making intuitive programming decisions based on the uniqueness of a proposal or an artist’s confident vision"
Long live the experimental theater collective...
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